115: Design. 6-1-3. Formal problems of the theory and practice in the elements and principles of design.

116: Color Design. 6-1-3. Preq., ART 115 or ARCH 110. The study of color and the interaction of color in design.

117: Conceptual Design. 6-1-3. Preq., ART 116. A materials and techniques course with the emphasis on experimental investigations which combines both traditional and contemporary approaches.

118: 3-D Design. 6-1-3. Preq., ART 115. Problems in three-dimensional design and increased emphasis on the development of individual ideas through various materials such as clay, plaster, fiberglass, wood, and plastics.

119. Introduction to Personal Computers for Artists. 3-0-1. Preq., ART 115 and 125. An introduction to personal computers and their use as tools for artists. Basic word processing and the use of elementary design software will be taught. Art Majors Only.

125: Drawing. 6-1-3. Preq., ART 125. A study of the principles underlying all creative and representation drawing.

126: Drawing. 6-1-3. Preq., ART 125. A continuation of ART 125.

160: Introduction to Graphic Design. 6-1-3. Preq., ART 116 and 126. An Introduction to the methods, processes, and principles of graphic design.

170: Introduction to Photography. 6-1-3. An introduction to the photographic medium through an exploration of basic tools, techniques, and aesthetics of 35mm black and white photography.

173: Intermediate Photographic Practices. 6-1-3. Preq., ART 170. Advanced black and white techniques covering exposure, development, and printing of small format negatives, with special emphasis on the use of the Zone System.

202: Woodshop Orientation. 3-0-1. A familiarization course for students, preparatory to their use of the woodshop. The course will be a hands-on introduction to all the equipment available for student use.

220: Painting. 6-1-3. Preq., ART 116 and 126. Creative approach to the problems in painting with emphasis on observation and representation.

221: Painting. 6-1-3. Preq., ART 220 and 225. Creative approach to the problems in painting with emphasis on the human figure.

225: Drawing. 6-1-3. Preq., ART 125 and 126. The study of human anatomy as related to problems of art.

228-229: Figure Drawing. 6-1-3 each. Preq., ART 125 and 126. Drawing in media from models.

240: Ceramics. 6-1-3. Introductory course on methods of ceramic construction with emphasis on the creative aspects of pottery.

241: Ceramics. 6-1-3. Emphasis on the use of the potter's wheel.

260: Intermediate Graphic Design. 6-1-3. Preq., ART 160. Studio projects emphasizing problem-solving and introducing use of computers in layout/imaging. Includes a pass/fail portfolio requirement for entry into the major. A specific laptop computer is required for this course.

261: Production. 6-1-3. Preq., ART 160. Introduction to the techniques and technology involved in preparing graphic design projects for printing.

262: Layout. 6-1-3. Preq., ART 260. Studio projects exploring contemporary graphic design formats and techniques. Utilization of the creative process in problem solving is emphasized.

263: Illustration. 6-1-3. Preq., ART 260. Exploration of the media and techniques of contemporary illustration. Emphasis also on creative problem solving.

266: History of Art I. 0-3-3. A survey of the painting, sculpture, architecture, and minor arts of ancient and medieval societies.

267: History of Art II. 0-3-3. A survey of the painting, sculpture, architecture, and minor arts from the Renaissance to the present.

270: Concepts of Photographic Imagery. 6-1-3. Preq., ART 173. An introduction to the many facets of contemporary photography from

documentary to conceptual. An overview of approaches to problem solving with the camera.

271: Alternative Photographic Processes. 6-1-3. Preq., ART 173. Alternative processes associated with the photographic medium. Creative approach to various techniques involving ortho films, toning, liquid emulsions, pinhole cameras, and hand-coloring applications.

290: Art Appreciation. 0-3-3. Study and enjoyment of art in its various expressions. Principles for critical judgment. Art in dress, the home, furniture, textiles, pottery, painting, graphic arts, and civic art. (non-art majors only)

301: Appreciation and Application of Elementary Art Structure. 0-3-3. Preq., consent of instructor. Theory and practice using the principles of design as basis for appreciation of the visual arts.

320: Painting. 6-1-3. Preq., ART 221. Creative approach to the problems in painting with emphasis on experimentation in various media, subjects, and techniques.

321: Painting. 6-1-3. Continuation of ART 320.

331: Introduction to Printmaking. 6-1-3. Preq., ART 116 and 126. A basic survey of printing techniques in linoleum cut, wood cut, collograph, dry point, etching and lithography.

346: Ceramics. 6-1-3. Preq., ART 240 and 241. An Advanced course in ceramic design and construction with the introduction to the construction and use of ceramic kilns.

347: Ceramics. 6-1-3. Preq., ART 346. A continuation of ART 346.

360: Typography. 6-1-3. Preq., ART 262. Emphasis on problems in typography with special uses of the computer.

361: Art Direction. 6-1-3. Preq., ART 261, 262, and 263. Advanced studio projects emphasizing problem-solving within a creative team and utilizing multiple design and imaging media and techniques.

362: Computer Graphics. 6-1-3 (9). Preq., ART 260. Exploration of the uses of contemporary computer software and hardware for the creation of graphic design projects.

363: Ad Campaign. 6-1-3. Preq., ART 261, 262. Advanced studio projects exploring advertising graphic design and utilizing contemporary advertising media formats.

370: Color Photography. 6-1-3. Preq., ART 173. An introduction to printing film negatives and transparencies onto color photographic papers.

372: Studio Photography. 6-1-3. Preq., ART 173. Problems in controlled lighting for portraiture, figure, fashion, product, and introduction to view camera operation.

373: Commercial Photography. 6-1-3. Preq., ART 372. An introduction to commercial applications of photography. Large format camera operation is studied with assignments covering a wide range of topics from Architecture to Fashion.

374: Commercial Portfolio. 6-1-3. Preq., ART 373. A concentrated study in one area of interest and production of a portfolio suitable for presentation. Large format color will be used extensively.

390: Sculpture. 6-1-3-(9). Preq., ART 118. Investigations in sculptural processes, materials, and techniques.

391: Sculpture. 6-1-3-(9). Preq., ART 118. Creative approach to problems in metal casting, fabrication, welding, mold technology, and foundry procedures.

415: Studio Problems. 6-1-3 (9). Preq., Permission of instructor. Advanced problems in design. (G)

420: Studio Problems. 6-1-3-(9). Preq., ART 320. Advanced problems in painting. (G)

427: Advanced Drawing. 6-1-3-(9). Preq., ART 228. Interpretive approach to drawing. (G)

430: Studio Problems. 6-1-3-(9). Preq., ART 331. Advanced problems in printmaking. (G)

440: Studio Problems. 6-1-3 (9). Preq., ART 347. An elective course in advanced crafts. (G)

459: Women and the Arts. 0-3-3. Survey of women's involvement with the visual arts. Major emphasis upon anonymous "female" crafts and leading women artists, 1600 to present. (G)

460: Monuments of Non-Western Art. 0-3-3. Survey of monuments of architecture, sculpture, painting, etc. from the most glorious epochs of selected Asian, African, Pre-Columbian, and Oceanic cultures. (G)

461: American Art, 1929-1990. 0-3-3. Survey of major monuments, artists, styles, and changes in modern American art. (G)

462: History of Graphic Design. 0-3-3. Preq., ART 260. Survey of the history of Graphic Design and its influence on today's practice of the profession. (G)

463: Portfolio I. 6-1-3. Preq., ART 260. Advanced projects for the professional graphic design portfolio. (G)

464: Computer Graphics for Portfolio. 6-1-3 (6). Preq., ART 362. Advanced uses of contemporary computer hardware and software for the creation of the graphic design portfolio. (G)

465: American Art in the Age of Expansion, 1865-1893. 0-3-3. A survey of leading artists, styles, movements and changing attitudes about art. It stresses socioeconomic aspects of art making and patronage. (G)

466: History of Modern Art. 0-3-3. Historical and critical appraisal of art in the 19th and 20th centuries. (G)

467: History of the Arts. 0-3-3. A survey of the arts: furniture; weaving and textiles; tools and weapons; ornament, both domestic and personal; artifacts of daily life such as painting, sculpture, etc. Offered on the Rome campus.

468: History of American Art. 0-3-3. Historical and critical appraisal of art in America from the colonial era to the present. (G)

469: History of Italian Art. 0-3-3. A survey and analysis of the painting, sculpture, and architecture produced in Italy between 1260 and 1600. (G)

471: Studio Problems in Graphic Design. 6-1-3 (9). Preq., ART 260. Advanced projects in graphic design for the professional portfolio, emphasizing concentration in techniques and problem-solving projects. (G)

472: History and Aesthetics of Photography. 0-3-3. A survey of the photographic image from 1839 to the present, with special emphasis on the development of photographic seeing. (G)

473: Image Manipulation with Computers for Artists. 6-1-3-(9). Preq., ART 115, 116, and 125. The use of software and computers in digital imagery using photographic resources. Criticism of individual projects and group discussions. (G)

474: Senior Exhibition. 6-1-3 (9). Senior Standing. One quarter prior to graduation the student must present an exhibition of sufficient quality to warrant exiting the program.

475: Senior Portfolio. 6-1-3. Preq., ART 463 and 464, taken only in the quarter of graduation. Preparation of the professional graphic design portfolio and resume. Course culminates in graded exhibition. Samples of portfolio work for departmental archives are required.

490: Sculpture. 6-1-3-(9). Preq., ART 390 or 391. Creative approach to the problems in sculpture with individually directed experiments in the various sculptural processes. (G)

499: Issues in the Arts. 0-3-3. A seminar for undergraduate senior and graduate students in the arts. This course will cover verbal and written interchange of ideas and issues in the arts. Seniors and graduate students only. (G)

510: Graduate Design. 6-1-3-(6). Studio work varying with the student's project.

511: Graduate Design. 6-1-3-(6). Studio work varying with the student's project.

512: Graduate Design. 6-1-3-(6). Studio work varying with the student's project.

513: Master's Project. 6-1-3-(6). Original, independent studio work approved by the Art Graduate Committee as appropriate for presentation as a one-man exhibition of final project.

514: Master's Project. 6-1-3-(6). Original, independent studio work approved by the Art Graduate Committee as appropriate for presentation as a one-man exhibition of final project.

515: Master's Project. 6-1-3-(6). Original, independent studio work approved by the Art Graduate Committee as appropriate for presentation as a one-man exhibition of final project.

520: Advanced Studio Problems. 6-1-3-(6).

521: Advanced Studio Problems. 6-1-3-(6).

522: Advanced Studio Problems. 6-1-3-(6).

540: Advanced Crafts. 6-1-3-(6). Studio work involving the design and construction of two-dimensional and three-dimensional problems. Choice of media with consent of Art Graduate Committee.

541: Advanced Crafts. 6-1-3-(6). Studio work involving the design and construction of two-dimensional and three-dimensional problems. Choice of media with consent of Art Graduate Committee.

542: Advanced Crafts. 6-1-3-(6). Studio work involving the design and construction of two-dimensional and three-dimensional problems. Choice of media with consent of Art Graduate Committee.

550: Photographic Projects. 6-1-3-(9). Advanced photographic project in field of special interest.

564: Graduate Seminar. 6-1-3. Guided study, discussion, and reading in art related to college level teaching.

565: Art History. 6-1-3-(6). Guided and/or independent research related to the History of Art.

566: Art History. 6-1-3-(6). Guided and/or independent research related to contemporary developments in art.

567: Graduate Exhibition. 6-1-3-(6). Preparation for and installation of graduate exhibition.

570: Photographic Projects. 6-1-3-(9). Advanced photographic concepts and techniques. Practical and expressive application of photographic processes to the applied and fine arts.

571: Photographic Seminar. 6-1-3. Research paper with supportive audio slide presentation.

572: Portfolio. 6-1-3-(9). Preparation of a portfolio.

573: Photographic Exhibition. 6-1-3.

574: Directed Projects in Graphic Design & Digital Imaging. 6-1-3 (9). Design project assigned by the Art Graduate Committee. Emphasis on development of practical experience in designer-client relationships and the use of advanced digital design technology to create and disseminate project work.

575: Directed Projects in Graphic Design & Digital Imaging. 6-1-3 (9). Design project assigned by the Art Graduate Committee. Emphasis on development of practical experience in designer-client relationships and the use of advanced digital design technology to create and disseminate project work.

576: Directed Projects in Graphic Design & Digital Imaging. 6-1-3 (9). Design project assigned by the Art Graduate Committee. Emphasis on development of practical experience in designer-client relationships and the use of advanced digital design technology to create and disseminate project work.

577: Directed Research in Graphic Design & Digital Imaging. 6-1-3 (9). Research project developed by student with the Art Graduate Committee. Emphasis on advanced application of abilities pertinent to contemporary graphic design such as use of digital design technology, expertise in traditional media imaging, and the creation of visual communications for corporations.

578: Directed Research in Graphic Design & Digital Imaging. 6-1-3 (9). Research project developed by student with the Art Graduate Committee. Emphasis on advanced application of abilities pertinent to contemporary graphic design such as use of digital design technology, expertise in traditional media imaging, and the creation of visual communications for corporations.

579: Graduate Seminar in Graphic Design Education. 0-3-3 (6). Discussion and guided research concerning college classroom and computer laboratory instruction in graphic design education.

580: Master's Thesis & Exhibition in Graphic Design. 0-3-3. Preparation of a thesis paper for submission to the Art Graduate Committee and a public exhibition of thesis visual works in graphic design.