By JESS PEREGOY
jep024@latech.edu
The School of Performing
Arts’ production of “Such Stuff,” a play by Ruth
Cantrell, was a flawless piece of comedic performances.
The cast featured Ashley Larsen, a senior speech major;
Reece Roark, a senior speech major; Paul Jameson, a senior speech major;
Rebecca Taylor, a graduate student of theatre; Rebecca Riisness,
a sophomore speech major; Matthew Bass, a freshman speech major; Joshua
Phillips, a senior speech major; and Tommy Beebe, a graduate student of
theatre. All played eccentric characters, making the play a constant laugh.
Director Paul B. Crook created a play with controversial
innuendos and hilarious one-liners setting the stage for an entertaining
evening at the Stone Theatre.
The cast interacted with each other with perfection,
keeping the play about a struggling Shakespearean play company entertaining in
a way that left the audience wondering what would happen next.
The stage was not set elaborately, conveying the
low-budget work the Shakespearean company produced and just how lost the
characters were until Maude Williams, played by Larsen, stepped in and cleaned
it up, literally.
The director of the company, Ashford Wadsworth, played by
Roark, was seemingly irresponsible with his behavior, but kept his cool and
found solutions for the company’s many obstacles.
The play’s conflict was caused by Williams and Wadsworth
both signing contracts with sponsors and having to juggle the exclusivity
clause to make it work and stay out of trouble.
The characters and the conflicts the characters faced
kept the audience enthralled, wondering how each one would get out of the mess
and make it work.
The play concluded with a view from backstage of the
company’s performance of Shakespeare’s “Romeo and Juliet,” as the characters
tried to perform the play without letting the sponsors know they had deals with
both of the competing companies.
Throughout the play, each actor played his or her
character without fault, making even the most minor of details worth a laugh.
The play was reminiscent of the debauchery of the film
“Shakespeare in Love” and Shakespeare’s “A Midsummer Night’s Dream,” where even
though behind the scenes the play was falling apart, on stage the actors made
it work as well as possible.
The actors all seamlessly translated their characters
from the ditzy, promiscuous Britney K. Morehead, played by Riisness,
to the self-obsessed actor Randall Hess, played by Jameson, all the way to the
inexperienced actor Chris Townely, played by Bass.
By the play’s conclusion, another conflict on the horizon
left the audience wondering just how the cast was going to solve this one, as
if it were a sitcom and the show would pick up where it left off next week.